THE IDENTITY OF THE HYBRIDITY OF THE CHINESE MUSLIM MOSQUE IN SEMPUSARI, JEMBER (CHARLES SANDERS PIERCE SEMIOTIC ANALYSIS)

Eva Fauziyanti(1*)

(1) 
(*) Corresponding Author

Abstract


Abstract: Religion and culture are two things that are always interesting to observe. It is difficult to imagine religion without culture or vice versa, culture without religion. In human history, religion and culture work hand in hand to preserve society with various legal arrangements. In Islam contains a number of teachings that are not limited to aspects of civilization. One example is the Muhammad Cheng Hoo mosque in Sempusari Jember, whose architecture is combined with Chinese, Javanese and Arabic culture. The Chinese identity was reborn after a post-reformation that was lost for decades. This study aims to describe the architectural meaning in the Cheng Hoo mosque in Sempusari Jember. To get the desired results, this research uses qualitative research with a descriptive approach, based on observation, interview, and documentation techniques. Meanwhile, to find out the existing cultural values, the writer uses the theory of cultural semiotics by Sander Pierce. The findings obtained from this study are a study of the meaning of cultural semiotics in the Cheng Hoo mosque architecture in Sempusari Jember including (a) the colors used. (b) An octagonal shape located in the middle of the Cheng Hoo Mosque. (c) Tower consisting of 5 flats. (d) the meaning of the lantern. (e) The shape on the walls of the mosque on the part of the imam and pulpit. (f) Flower motif. (g) the writing on the door of the mosque in Roman kanji style.


Keywords


Architecture of the Jember Muhammad Cheng Hoo Mosque, Javanese-Islamic- Chinese cultural hybridity identity, Charles Sanders Pierce's Semiotics.

Full Text:

PDF

References


Ayub, Moh. E., Muhsin MK, dan Ramlan Mardjoned. 1996. Manajemen Masjid. Jakarta: Gema Insani Press

Ashari, M. Hanafi. 1993. Pemahaman dan pengamalan dakwah. Surabaya: Al-Ikhlas

Basrowi dan Suwardi. 2008. Memahami Penelitian Kualitatif :Jakarta: PT Rineka Cipta

Creswell, Jhon W., 2016. Research Design; Pendekatan Kualitatif, Kuantitatif, dan Mixed Yogyakarta: Pustaka Pelajar

Dayakisni, Tri dan Salis Yuniardi. 2004. Psikologi Lintas Budaya. Malang:UUM Pers

Emzir. 2008. Metodolog Penelitian Pendidikan: Kuantitatif & Kualitatif. Jakarta: PT Raja Grafindo Persada

Hadi, Sofyan. 2012. Ilmu Dakwah Dari Konsep Paradigma Hingga Metodologi. Jember: Centre For Society Studies

Hamidi, Metode Penelitian Kualitatif, Pendekatan Praktis Penulisan Proposal Dan Laporan Penelitian. 2010. Malang: Katalog DalamTerbitan

Handryant, Aisyah N. 2010. Masjid Sebagai Pusat Pengembangan Masyarakat; Integrasi hablumminallah, hablumminannas, dan hablumminal’alam. Malang: UIN-Maliki Press

Muctar, Ibnu Hasan, Farhan Muntafa. 2015. Efektivitas FKUB dalam Pemeliharaan KerukunanUmat Beragama; Kapasitas Kelembagaan dan Efisiensi Kinerja FKUB terhadap Kerukunan Umat Beraama. Jakarta: Puslitbang Kehidupan Keagamaan Badan Litbang dan Diklat Kementrian Agama RI

Bungin, Burhan. 2007. Metode Penelitian Kualitatif; Akulturasi Metodologi ke Arah Ragam Varian Kontemporer. Jakarta: PT. Raja Grafindo Persada

Poesponegoro, Marwati Djoened, Nugroho Notosusanto. 2008. Sejarah Nasional Indonesia III. Jakarta: Balai Pustaka,.

Sobur, Alex. 2003. Semiotika komunikasi. Bandung:PT Remaja Rosdakarya

Sulaeman, M. Munandar. 1998. Ilmu budaya dasar: Suatu Pengantar. Bandung: PT Refika Aditama, Anggota Ikapi

Sugiyono. 2014. Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: Alfabeta

Sumalyo. 2006. Arsitektur Masjid dan Sejarah Muslim. Yogyakarta:Gadjah Mada University Press.

Wiryoprawiro, Zein M. 1986. Perkembangan Arsitektur Masjid di Jawa Timur. Surabaya: Anggota IKAPI

Yusuf A. Muri. 2014. Metode Penelitian Kuantitatif, Kualitatif dan Penelitian Gabungan. Jakarta: Prenamedia Group.

Zarkhoviche, Baha. 2017. Jejak-jejak Emas Laksamana Cheng Hoo perjalanan dakwah dan kisah ekspedisi tiongkok muslim terbesar sepanjang sejarah. Yogyakarta:Arasaka

Afrilliani, Elysa. 2015. “Analisis Semiotik Budaya Terhadap Bangunan Masjid Jami’ Tan Kok Liong Di Bogor”, Tugas akhir Program Studi Sastra Cina Universitas Sumatera Utara.

Azizah, Utami Yuliyanti. 2017. “ Nilai-Nilai Toleransi Antar Umat Beragama Dan Teknik Penanamannya Dalam Film 99 Cahaya Di Langit Eropa”, Tugas akhir program studi Pendidikan Agama Islam Universitas Islam Negeri Raden Intan Lampung.

Marwantika, Asna. “The Sacralization of the Myth of Prohibition of Leaving the House at

Dusk in Sandekala Film: Charles Sanders Pierce’s Semiotic Analysis”. MUHARRIK: Jurnal Dakwah dan Sosial 4, no. 01 (April 20, 2021): 33-46. Accessed June 29, 2022. https://ejournal.insuriponorogo.ac.id/index.php/muharrik/article/view/553.

Afriani, Dinda Wulan. 2014. “ Masjid Jami’ PITI Lasmana Muhammad Cheng Ho Purbalingga: Simbol keindahan Toleransi dalam Akulturasi”, jurnal Kebudayaan Islam, Volume 12, Nomor 1

Priliandani, Mutia. 2013. “Masjid Muhammad Cheng Hoo Indonesia (Kajian Tentang Arsitektur Bangunan dan Kegiatan Di Masjid)”. Tugas akhir Program Studi Diploma III Bahasa Mandarin Sekolah Vokasi: Universitas Gadjah Mada.

Damayanti, Alfina. 2016. “Implementasi Fiqih Penyembelihan Binatang Ternak Pada Pedagang Ayam di Pasar Gladak Merah Menampu Gumukmas Jember Tahun 2016”, Skripsi jurusan Institut Agama Negeri Jember.

Titisari, Hermita dan Salamun. 2015 “Masjid Cheng Hoo Surabaya (Seni Bangunan, Ornamen, Dan Kaligrafi)” Jurnal Pendidikan Seni Rupa, 3

Habibi, Azward Annas Ro’is, Nunuk Giari Murwandani. 2015), “Karakteristik Masjid Muhammad Cheng Hoo Surabaya”. Jurnal Pendidikan Seni Rupa. Volume 03 Nomor 03

Huda, Samsul. 2010. Orang Indonesia Tionghoa dan Persoalan Identitas. Kontekstualita:Jurnal Penelitian Sosial Keagamaan, Vol. 25, No.1

Munif, Muhammad Agus. 2013. “Peran Cheng Ho Dalam Islamisasi Di Nusantara(1405-1433M)”. skripsi, jurusan Sejarah dan Kebudayaan islam, Universitas Islam Negeri Sunan Kalijaga

Mahfudz, Nasoikhul. 2015. “Toleransi”

Solihin, Achmad. 2014. “Pelaksanaan Upacara Tedak Siti Di Dusun Krajan Desa Sidomukti Kecamatan Mayang Dan Relevansinya Dengan Tujuan Dakwah”. Skripsi jurusan Komunikasi Dan Penyiaran Islam, Institut Agama Negeri Jember




DOI: https://doi.org/10.21154/qaulan.v3i1.3464

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 QAULAN: Journal of Islamic Communication

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.