Romanticization or Reality: It Ends with Us by Colleen Hoover Through Corpus Stylistics Perspective

Jesselyn Kaonedy; Istiqomah; May Sastia; Diantry Binarwaty Habibie Nasution; Rahmadsyah Rangkuti

doi:10.21154/eltall.v6i1.10769

Authors

Jesselyn Kaonedy Universitas Sumatera Utara https://orcid.org/0009-0005-5695-6997
Istiqomah Universitas Sumatera Utara https://orcid.org/0009-0004-5679-2809
May Sastia Universitas Sumatera Utara https://orcid.org/0009-0007-0709-2066
Diantry Binarwaty Habibie Nasution Universitas Sumatera Utara https://orcid.org/0009-0008-6779-7559
Rahmadsyah Rangkuti Universitas Sumatera Utara

DOI:

https://doi.org/10.21154/eltall.v6i1.10769

Keywords:

corpus stylistics, realism literary, romanticization, reality, collocations

Abstract

Corpus stylistics, which involves the analysis of electronic archives of written material, facilitates the understanding of connections between words. This research aims to provide linguistic evidence regarding the genre of Colleen Hoover's popular fiction, It Ends with Us, specifically, to ascertain whether it is a pure romance novel or incorporates aspects of literary realism. A descriptive qualitative approach, grounded in Mahlberg's (2013) corpus stylistics theory, is employed. The primary data for analysis are the four most frequently occurring verbs identified using AntConc. The collocations associated with each verb are subsequently categorized into "attempts to romanticize" or "narrations of reality" to determine the prevailing stylistic strategy. The research demonstrates that the novel utilizes a greater proportion of "realistic" words compared to "romantic" words, thereby indicating its alignment with literary realism. The narrative modifications are intended to heighten the story's engagement, rather than to romanticize domestic abuse or toxic relationships.

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